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The joy of bourbon drinking is not the pharmacological effect of the C2H5OH on the cortex but rather the instant of the whiskey being knocked back and the little explosion of Kentucky U.S.A. sunshine in the cavity of the nasopharynx and the hot bosky bite of Tennessee summertime —aesthetic considerations to which the effect of the alcohol is, if not dispensable, at least secondary.
Walker Percy in “Bourbon, Neat,” quoted by Portrait of the Artist as a Young Man. Since I first read this essay, when I was perhaps fourteen or fifteen years old, I have remembered that invaluable phrase precisely and used it on occasion: “hot bosky bite.”
For some time, I supposed —stupidly— that Percy had simply invented the word “bosky” in an effort to capture the way bourbon tastes and feels: two syllables, because it is a matter-of-fact sort of flavor, concise even when complex. But of course “bosky” is a real word, with a definition: “Having abundant bushes, shrubs, or trees.”
Good God! If you’ve ever been in a hot Southern state in the summer, out away from the roads and houses, in fields or little glades surrounded by plain, unprepossessing woods, and if you’ve tasted bourbon, you must recognize that this is inspired, precise lyricism; it is the result of brilliant observation and masterful, unaffected diction. The flatness of bland blue skies which cling close to buzzing, sun-bleached, lush yet crackling lands, the simultaneity of heat and verdancy: this is the best metaphor I know for the flavor of bourbon, which, I regret, is irreplaceable if one gives up drinking.
Note also the two forms of prose: the specialized vocabulary of the scientist as a foil to the poetics of the the real point, the evocation of place and season and atmosphere. The sort of lexical pyrotechnics for which many esteem David Foster Wallace predates him, of course, although in “Oblivion” I believe he brought it to an apotheosis of sorts (an anti-apotheosis: the dull triumph of inhumanly technical language). But it is worth noting because Wallace’s real gifts, like Percy’s, have nothing to do with the niftiness of his interdisciplinary sentences; that is a matter of style, a style which either supports higher artistic aims or is lazy mannerism, as most writing in fact is.
(via mills)(via mills)
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Opening weekend at our family ranch in Laredo, Nov. 8, 1969. My grandfather is on the far right.
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Posted on January 11, 2012 via The Napa Bachelor with 36 notes
Source: napabachelor
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Yup.
Posted on January 10, 2012 via Science @ Soul with 17 notes
Source: sciencemeetssoul
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Posted on January 2, 2012 via with 43 notes
Source: Flickr / ilefttown
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518. Expect no sympathy for a hangover. And give none.
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I grew up an Aggie but chose to become a Longhorn. This will be a strange and wonderful day.
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Polka contest! Wurstfest 2011. #texascool
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there’s a bluebird in my heart that
wants to get out
but I’m too clever, I only let him out
at night sometimes
when everybody’s asleep.
I say, I know that you’re there,
so don’t be
sad.
then I put him back,
but he’s singing a little
in there, I haven’t quite let him
die
and we sleep together like
that
with our
secret pact
and it’s nice enough to
make a man
weep, but I don’t-Charles Bukowski, “Bluebird”
#bukowski
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(via texasbohemia)
Posted on November 2, 2011 via Pan-American Blues with 27 notes
Source: aquariumdrunkard





